PIRACY, MP3 AND MUSIC SUBSCRIPTION SYSTEMS: NEW RELATIONSHIPS BETWEEN THE ARTIST AND THE MARKET
Keywords:
copyright, bootlegs, mp3, streaming, digital recordingAbstract
Bootlegs gained notoriety in the 60s, when "bootlegs" became a symbol of the counterculture. They were basically the unreleased recordings and records of live performances and rarities that met the public who saw in this the possession of an exclusive material of their idols. With the advent of digital recording, piracy has gained a new dimension: now, we are no longer talking about non-commercial recordings that were released but about copies of commercial discs, whose main purpose was to generate profit for people not directly involved in the work or circulation of music on the web without the payment of copyright fees. This created a new relationship among artists, the market and the concept of "piracy", which led to the appearance of a new production order.Downloads
References
Bødker, Henrik. 2004.The changing materiality of music. Aarhus, Denmark.
Caetano, Miguel. 2007. “Planet Earth de Prince chega a três milhões de pessoas” in <http://www.remixtures.com/2007/07/planet-earth-de-prince-chega-a-tres-milhoes-de-pessoas> [Consulta em 11/08/2014]
Coelho, Paulo. 2012. “My thoughts on S.O.P.A”. Disponível em <(http://paulocoelhoblog.com/2012/01/20/welcome-to-pirate-my-books/)>. [Consulta: 11 ago.2014].
Cozella, D. 1980. Disco em São Paulo. São Paulo, Departamento de Informação e Documentação Artisticas.
Domingo, Plácido, 2014. Digital Music Report, disponível em: <http://www.ifpi.org/recording-industry-in-numbers.php> [Consulta: 12 jun. 2014]
Fukushiro, Luis. 2007. “Vale até disco de graça”. In <(em http://veja.abril.com.br/180707/p_126.shtml)> Consulta: 12 jun. 2014
Gompertz, Will 2010. “Sir Mick Jagger goes back to Exile”, disponível em <http://news.bbc.co.uk/2/hi/entertainment/8681410.stm> Consulta: 12 ago.. 2014
Johns, Adrian. 2010. Piracy: The Intellectual Property Wars from Gutenberg to Gates. Chicago: University of Chicago Press.
Katz, Mark. 2004.Capturing Sound: how technology has changed music. Los Angeles:University of California Press.
Kernfeld, Barry. 2011. Pop Song Piracy: Desobedient Music Distribution since 1929. Chicago: Chicago University Press.
Marshall, Lee. 2004. The effects of piracy upon the music industry: a casa study of bootlegging. In Media, Cultura and Society. Londres: Sage Publications.
Morton, David. 2000.Off the Record. The Technology and Culture of Sound recording in America. Nova Jersey: Rutgers University Press.
Neves, Ezequiel. 1972. “Bootlegs, a Indústria dos Discos Pirata”. In: Rolling Stone, n.6, p 18-19.
SCHUKER, Roy. Vocabulário de música pop. Hedra, São Paulo, 1999.
TRIVINHO, Eugenio. (1998) Redes Obliterações no fim do século. São Paulo: AnnaBlume/Fapesp.
Vogel, Harold L. 2011. Entretainment Industry Economics. Nova Iorque: Cambridge University Press.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
a. Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under a Creative Commons Attribution License that allows sharing of the work with acknowledgment of authorship and initial publication in this journal.
b. Authors are authorized to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg, to publish in an institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.