PIRACY, MP3 AND MUSIC SUBSCRIPTION SYSTEMS: NEW RELATIONSHIPS BETWEEN THE ARTIST AND THE MARKET

Authors

  • José Eduardo Ribeiro de Paiva UNICAMP

Keywords:

copyright, bootlegs, mp3, streaming, digital recording

Abstract

Bootlegs gained notoriety in the 60s, when "bootlegs" became a symbol of the counterculture. They were basically the unreleased recordings and records of live performances and rarities that met the public who saw in this the possession of an exclusive material of their idols. With the advent of digital recording, piracy has gained a new dimension: now, we are no longer talking about non-commercial recordings that were released but about copies of commercial discs, whose main purpose was to generate profit for people not directly involved in the work or circulation of music on the web without the payment of copyright fees. This created a new relationship among artists, the market and the concept of "piracy", which led to the appearance of a new production order.

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Author Biography

José Eduardo Ribeiro de Paiva, UNICAMP

Professor do Departamento de Multimeios, Mídia e Comunicação do Instituto de Artes da UNICAMP e professor do Programa de pós graduação em Artes Visuais – Multimeios e Artes e do programa de pós graduação em Música da mesma instituição. Graduado em música, mestre em Artes e Doutor em Multimeios, desenvolve desde os anos 80, trabalhos sobre as relações entre criação sonora, mídia, arte e tecnologia.

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Published

2017-07-19

How to Cite

RIBEIRO DE PAIVA, José Eduardo. PIRACY, MP3 AND MUSIC SUBSCRIPTION SYSTEMS: NEW RELATIONSHIPS BETWEEN THE ARTIST AND THE MARKET. Revista GEMInIS, [S. l.], v. 8, n. 1, p. 115–125, 2017. Disponível em: https://revistageminis.ufscar.br/index.php/geminis/article/view/285. Acesso em: 21 nov. 2024.

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