BETWEEN FRIENDSHIP AND IMAGINED DISPUTES
THE FANS OF IVETE AND CLAUDIA LEITTE IN THE PANDEMIC CARNIVAL
DOI:
https://doi.org/10.53450/2179-1465.RG.2023v14i2p126-144Keywords:
Fancultura, Mediatización, Redes sociales TwitterAbstract
This article aims to reflect upon the interactions of the fans of Ivete Sangalo and Claudia Leitte on the social network Twitter during the live held at the 2021 carnival. With content analysis we could observe thematic categories based on logical and emotional comments which manifest praise and controversy in order to obtain greater adherence – that is, power – within a discursive community. It was possible to infer that these strategies, even if they are established by economic means and to expose brands and advertising, they also work as a space for the manifestation of two fandoms that at times unite and, at others, create imagined disputes between the two singers.
Downloads
References
ALCÂNTARA, Eurípedes. A redoma do atraso. Veja, São Paulo, v. 24, n. 25, p. 42-43, jun. 1991.
AMARAL, Adriana. Manifestações da performatização do gosto nos sites de redes sociais: uma proposta pelo olhar da cultura pop. Revista ECO-Pós. Vol. 17, ed. 3, 2014.
AUSLANDER, P. Liveness. Performance in a mediatized culture. 2nd Edition. Abingdon/ New York: Routledge, 2008.
BARDIN, L. Análise de conteúdo. Lisboa: Edições, 2011.
BACON-SMITH, C. Enterprising Women: Television Fandom and the Creation of Popular Myth. Philadelphia: University of Pennsylvania Press, 1992.
BOOTH, P. Digital Fandom: New Media Studies. Nova Yorke: Peter Lang, 2010.
BOURDIEU, P. A Distinção: Crítica Social do Julgamento. São Paulo: Edusp; Porto Alegre, RS: Zouk, 2008.
DUFFET, M. We are interrupted by your noise: heckling and the symbolic economy of popular music stardom. Popular Music and Societ, v.3 2, n. 1, p. 37-57, 2009.
GROSSBERG, L. Is there a fan in the house? The affective sensibility of fandom. In: LEWIS, L. A. (ed.). The adoring audience: fan culture and popular media. Londres: Routledge, 1992.
GRUZD, A. (2020). Netlytic: Software for Automated Text and Social Network Analysis, 2020. Disponível em: <https://Netlytic.org>, Acesso em: 15 de abr. 2022.
FISKE, J. The Cultural Economy of Fandom. In: LEWIS, L. A. The Adoring Audience: Fan Culture and Popular Media. London: Routledge, 1992.
HAVARD, C.T., Wann, D.L., Fuller, R.D., Bouchard, K.. Rebels or Star Fleet? Investigating Rivalry in Sport and Star Wars/Star Trek Fandom. In: Rivalry and Group Behavior Among Consumers and Brands. Palgrave Macmillan, Cham, 2021.. https://doi.org/10.1007/978-3-030-85245-0_5
HENNION, A. Music Lovers: Taste as Performance. Theory, Culture and Society, v. 18, n. 5, p. 1-19, 201.
HJARVARD, S. Midiatização: teorizando a mídia como agente de mudança social e cultura. Matrizes, v. 5, n. 2, p. 53-91, 2012.
JENKINS, H. Convergência e conexão são o que impulsionam a mídia agora. Entrevista concedida a Priscila Kalinke e Anderson Rocha. Revista Brasileira de Ciências da Comunicação, v. 39, n.1, p.213-219, jan./abr. 2016
JENKINS, H. Textual poachers: television fans & participatory culture. New York: Routledge, 1992.
JANOTTI JR; J.; SÁ, S. P. Revisitando a noção de gênero musical em tempos de cultura musical digital. Galáxia, v. 41, May-Aug 2019.
JOHNSON, D. Fan-Tagonism. Factions, Institutions and Constitutive Hegemonies of Fandom. In: GRAY, J.; SANVDOSS, C.; HARRINGTON, C. L. Fandom: Identities and communities in a mediated world. Nova York: New York University Press, 2007.
LIMA, C. A. R. Telenovela transmídia na Rede Globo: o papel das controvérsias 2018. 259 f. Tese (Doutorado) – Curso de Pós-graduação em Artes e Comunicação, Universidade Federal de Pernambuco, Pernambuco, 2018.
LUPINACCI, L. Da minha sala pra sua”: teorizando o fenômeno das lives em mídias sociais. Revista Galáxia, n. 46, p.1-17, 2021.
MARTINO, L. M. S. Teoria das Mídias Digitais. Petrópolis: Ed. Vozes, 2015.
MARWICK, A.; BOYD, D. To See and Be Seen: Celebrity Practice on Twitter. Convergence, v. 17, n. 2, p. 139–158, 2011.
RAMIREZ, P.A. Mediatizácion social: poder, mercado y consumo simbólico. Salamanca: CS, 2016
REDMOND, S. Celebrity. New York: Routledge, 2019.
RECUERO, R. Introdução à análise de redes sociais online. Edufba: Salvador, 2017.
RENTFROW, P.; MCDONALD, J.; OLDMEADOW, J. A. You Are What You Listen To: Young People's Stereotypes about Music Fans. Group Processes & Intergroup Relations, v. 12, n. 3, p. 329-344, 2015.
SÁ, S. P. Somos Todos Fãs e Haters? Cultura Pop, afetos e performance de gosto nos sites de redes sociais. Revista ECO-Pós, v. 19, n. 3, p. 50-67, 2016.
SANDVOSS, C.; VALE, S. do. Quando Estrutura e Agência se Encontram: os fãs e o poder. Ciberlegenda, n. 28. v. 1, p. 9-41, 2013.
SOARES, T. Abordagens Teóricas para Estudos Sobre Cultura Pop. Logos 41 Cidades, Culturas e Tecnologias Digitais, v. 2, n. 24, p. 68-81, 2014.
ZAN, José Roberto. Música Popular Brasileira: indústria cultural e identidade. Eccos, v. 3, n. 1, p. 105-122, 2001.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Carla Montuori Fernandes, Clarice Greco, Pedro Farnese
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish in this journal agree to the following terms:
a. Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under a Creative Commons Attribution License that allows sharing of the work with acknowledgment of authorship and initial publication in this journal.
b. Authors are authorized to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg, to publish in an institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.