Notes on a Digital Art course

Authors

  • Jonas Federman UFRJ

Keywords:

digital, Cyberculture, policy

Abstract

This article gathers some of the readings and discussions addressed in the course Digital Art. This course belongs to the Department of Methods and Related Areas (DEMAC) being offered to all undergraduate qualifications of the School of Communication at the Federal University of Rio de Janeiro. This memory is intended to stimulate new approaches and further discussion.

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References

CABANNE, Pierre. Marcel Duchamp: engenheiro do tempo perdido. Ed. Perspectiva. S.P. 1997.

CASTELLS, M. Mobile communication and society: a global perspective. Massachutts Institute of Technology, 2007.

DIANA, Domingues (Org.). Arte, Ciência e Tecnologia: Passado, presente e desafios. Ed. UNESP, 2007.

FLUSSER, Vilém. O universo das imagens técnicas: elogio da superficialidade. Ed.

ANNABLUME. SP. 2008.

MITCHELL J. William. ME + + - The Cyborg self and the networked city. Massachusetts Institute of Technology. 2003.

SANTAELLA, Lucia. Porque as comunicações e as artes estão convergindo? Ed. Paullus. SP. 2005.

SNOW, C. P. As duas culturas em uma segunda leitura. EDUSP, 1995.

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Published

2011-12-07

How to Cite

FEDERMAN, J. Notes on a Digital Art course. Revista GEMInIS, [S. l.], v. 2, n. 2, p. 249–258, 2011. Disponível em: https://revistageminis.ufscar.br/index.php/geminis/article/view/92. Acesso em: 3 jul. 2024.

Issue

Vol. 2 No. 2 (2011): Transmídia: estratégias e processos de construção de mundos

Section

Abordagens Multiplataformas

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