Combinación de fundamentos 2D y 3D para fomentar el pensamiento sistémico en estudiantes de diseño: reflexiones y estudios de casos de un título de diseño interdisciplinario

Autores/as

DOI:

https://doi.org/10.53450/2179-1465.RG.2022v13i3p44-57

Palabras clave:

Educación en Diseño, interdisciplinario, sinergia, Pensamiento sistémico, Diseño de transición

Resumen

Este artículo propone algunos enfoques de educación en diseño interdisciplinario que pueden ayudar a introducir a los estudiantes a perspectivas más holísticas de la práctica del diseño, el mundo y la influencia del diseño en él. A través de nuestra práctica de educación en diseño, los autores destacan los beneficios particulares de la pedagogía del diseño integrador para aumentar la conciencia de los estudiantes sobre las relaciones entre disciplinas, el pensamiento sistémico, la capacidad de diseñar para la “sinergia”y para preparar de manera más adecuada a los diseñadores para un mundo cada vez más interconectado y cambiante. El estudio de caso como metodología cualitativa se utiliza para reflexionar sobre nuestra práctica educativa de estudio de diseño interdisciplinario (Baskarada, 2014; Rashid et al., 2019). La metodología de la práctica reflexiva también se utiliza para reflexionar críticamente sobre los estudios de casos de educación en diseño (Brookfield, 2000; Osterman, 1990). Los hallazgos clave de estos estudios de caso sugieren que la enseñanza de los fundamentos del diseño 2D y 3D en combinación, así comotener proyectos del mundo real, puedendar a los estudiantes una mayor conciencia de la interrelación de las disciplinas del diseño y fomentarel pensamiento sistémico desde el principio de sus estudios/carreras. También se debe fomentar y facilitar la colaboración no evaluada entre estudiantes de diferentes programas. La introducción de enfoques reflexivos críticos también es importante para brindar a los alumnos una comprensión más profunda de las implicaciones del diseño y su importancia para contrarrestar los "problemas complejos".

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Biografía del autor/a

James Smith-Harvey, Eastern Institute of Technology

James is a designer, educator, and researcher from Tāmaki Makaurau (Auckland), living in Ahuriri, Heretaunga (Napier, Hawkes Bay). He works as a design lecturer in the IDEAschool at the Eastern Institute of Technology, and keeps a freelance communication design practice going in addition to research and educational work. His practice-oriented research focuses primarily on design for new and emerging educational technologies, ecological literacy for designers, art+science collaboration, intercultural co-design, and indigenous epistemologies and design methodologies.

Mazin Bahho, Eastern Institute of Technology

Mazin Bahhocompleted his PhD Degree in Architecture in 2018 at Victoria University of Wellington, New Zealand. He is currently a senior lecturer of design at the Eastern Institute of Technology, New Zealand. Mazin's research is in the fields of ecological design, energy, community environmental education, and design for the interior environment. His research aims to visualise and construct design solutions to issues of human habitation, particularly on ecology and the vernacular. Identity and sense of place are paramount to his process focusing on the significance of history and culture as a way of exploring patterns that can be expressed in the present.

Roger Kelly, Eastern Institute of Technology

As a practicing designer and educator my work contributes to the ongoing conversation about the value of our things and their means of creation, more specifically my research focuses on the belief that a specific object should be or could be a signifier or reminder of our needs, as such object making as a form of identity creation for both maker and user.

Underlying my creative work is the constant valuing of design skill and crafting in the development of systems and products where I find myself designing and making objects that enhance people’s wellbeing by supporting our connections to place, to nature, ourselves and each other through deep materialism.

Anthony Chiappin, Eastern Institute of Technology

Anthony is a lecturer within Design graduate and post-graduate degree programmes. He has an accomplished professional background in the visual communication sectors, specifically as a commercial illustrator and visual artist, with an ancillary advertising career in art direction and freelance brand creative direction. He established his networks in the commercial advertising sector internationally through his formative Illustration practice-based graphic discipline, having graduated from his Masters of Visual Art through Monash University in 2008. Anthony adopts these integrated practices through his role as an educator, tutoring his particular multidisciplinary vision towards the craft of creating imagery that is effective.

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Publicado

2022-06-30

Cómo citar

SMITH-HARVEY, James; BAHHO, Mazin; KELLY, Roger; CHIAPPIN, Anthony. Combinación de fundamentos 2D y 3D para fomentar el pensamiento sistémico en estudiantes de diseño: reflexiones y estudios de casos de un título de diseño interdisciplinario. Revista GEMInIS, [S. l.], v. 13, n. 3, p. 44–57, 2022. DOI: 10.53450/2179-1465.RG.2022v13i3p44-57. Disponível em: https://revistageminis.ufscar.br/index.php/geminis/article/view/733. Acesso em: 23 nov. 2024.

Número

Sección

Colección LINK2022: Investigación Guiada por la Práctica en Comunicación y Di

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