The exacerbation of the "form versus content" dilemma: technique, ideology and ethnicity in 24 Hours
Keywords:
24, Characterization, IdeologyAbstract
This article aims to analyze the main factors which make the TV series 24 push to the limits the dilemma “form versus content”, at the expenses of the contraposition between its high quality values and the difusion of an ideologic trope characterized by ethnical prejudices and by the sistematic violation of human rights, in the context of the “war on terror”. It is paid particular attention, respectively, to the historical context in which the has been was presented, to the effects of the politics of casting employed by the its producers, and to the polemic question of torture.Downloads
References
ADAMS, Bluford. Reading the Re-Revival: Competing Approaches in U.S. Ethnic Studies. American Literary History, Oxford, v. 15, n. 2, p. 395-408, 2002.
ALTHUSSER, Louis. Ideology and Ideological State Apparatuses (Notes towards an Investigation). In: ______. Lenin, philosophy and other essays. New York: Monthly Review Press, 1971.
ARANTES, Paulo. Extinção. São Paulo: Boitempo, 2007.
BAUMAN, Zygmunt. Globalização: as conseqüências humanas. Rio de Janeiro: Jorge Zahar Editor, 1999.
CHION, Michel. The voice in cinema. New York: Columbia University Press, 1999.
CUSAK, Anne-Marie; SANDBERG, Erik. Watching Torture in Prime-Time. Progressive, Madison, n. 8, v. 69, p. 34-36, ago. 2005.
CALDWELL, John. Televisuality: Style crisis and authority in American television. New Brunswick: Rutgers University Press, 1995.
DOANE, Mary Ann. Information, Crisis, Catastrophe. In: LANDY, Marcia (ed.). The historical film: History and memory in media. New Brunswick: Rutgers University Press, 2001. p. 261-85.
GREEN, Adam. Normalizing torture, one rollicking hour at a time. New York, The New York Times, 22 mai. 2005.
JAWORSKI, Adam; FITZGERALD, Richard; CONSTANTINOU, Odysseas. Busy Saying Nothing New: Live Silence in TV Reporting of 09/11. Multilingua – Journal of CrossCultural and Interlanguage Communication, Boston, vol. 1-2, n. 24, p. 121-44, 2005.
KRACAUER, Siegfried. De Caligari a Hitler: uma história psicológica do cinema alemão. 3a. edição. Rio de Janeiro: Zahar, 1988.
OUELLETTE, Laurie. Viewers like you? How public TV failed the people. New York: Columbia University Press, 2002.
PAGLIA, Camille. Vampes & vadias. Rio de Janeiro: Francisco Alves, 1994.
SAFATLE, Vladimir. Cinismo e falência da crítica. São Paulo: Boitempo Editorial, 2008.
SHOHAT, Ella e STAM, Robert. Unthinking eurocentrism: Multiculturalism and the media. London e New York: Routledge, 1994.
Downloads
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
a. Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under a Creative Commons Attribution License that allows sharing of the work with acknowledgment of authorship and initial publication in this journal.
b. Authors are authorized to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg, to publish in an institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.